Hawthorne’s The Ministers Black Veil †Solitude of the Protagonist and the Author :: Ministers Black Veil Essays

The Ministers Black greater omentum Solitude of the Protagonist and the Author Isnt it more than than coincidental that the fighter in Nathaniel Hawthornes The Ministers Black Veil and the root himself are both given to solitude and isolation? Literary critics seem to come to a consensus on the subject of Hawthornes preference for solitude. Edmund awash(predicate) and B. Jo Kinnick in Stories Derived from New England Living state that Hawthorne was essentially of a l whizzly nature, and group life was not for him. . . (30) Sculley Bradley, Richmond Croom Beatty and E. Hudson Long in The societal Criticism of a Public Man say that a vernal man engrossed in historical study and in learning the writers craft is not notably queer if he does not seek society. . . . (47) Stanley T. Williams in Hawthornes Puritan Mind states in short by and by Hawthornes birth in 1804, circumstances intensified his unconditional Puritan characteristics his analysis of the mind, his somber outlook on living, his tendency to draw in from his fellows (40). According to A.N. Kaul in his Introduction to Hawthorne A Collection of Critical Essays, the themes of isolation and alienation were ones which Hawthorne was deeply preoccupied with in his writings (2). At the graduation exercise of the tale, The Ministers Black Veil, the sexton is tolling the church bell and concurrently watching Mr. Hoopers door, when suddenly he says, But what has profound diplomatic minister Hooper got upon his face? The surprise which the sexton displayed is repeated in the astonishment of the onlookers With one accord they started, expressing more wonder. . . The reason is this Swathed about his forehead, and hanging down everywhere his face, so low as to be shaken by his inkling is a black veil. The 30 year old, unmarried parson receives a variety of reactions from his congregation I cant really feel as if good Mr. Hoopers face was behind that piece of crape He has changed himself i nto something awful, only by concealing his face Our parson has gone mad Few could refrain from twisting their heads towards the door. . . . . . . more than one woman of delicate nerves was forced to leave the meeting-house. Hawthorne, after exposing the surprised people to the sable veil, develops the protagonist through a commentary of some of his less exotic and curious characteristics